Diane Melby
Salon for Creative Expression

A Funny Kind of Grief

I dreamed an old dog slipped off his leash
to romp with the geese down by the pond,
but in some trick of grief’s desire, the scene
shifted and my mentor, real as skin and bone,
tilled his garden for the next season.
He was the kind of man who would save
hatchlings from the tines of the tiller,
nudge his fledglings into flight. My daughter
had sent me his obituary the day before.
It read like a staccato riff: born, lived, died; dear wife
relegated to one paltry last line. Am I selfish
to want a line of my own? What I was to him
would fit between commas, white font in white space;
and he to me, a past that’s always present.
It is late afternoon in late October. A dog
gives up his spot in the sun to walk with me.
He is a funny thing, chasing shadows
in the slanting light.
Diane Melby
Originally published in Susurrus, Issue 13, Winter 2025, https://www.susurrusthemagazine.com/issue-thirteen

For me, writing a poem is often an attempt to wrestle a difficult emotion or realization into a digestible chunk, to lasso the thousand threads of thought I’m having about it that are pulsing though my mind like razored wire.
But it wasn’t always that way.
In my early years, my poetry hummed with wonder about the world unfolding before me, frequently extolling the virtues of (and my amazement at) things I loved: trees, wind, friendship, freedom, discovery.
I’m likely not unique in this.